real tone rolls out the red carpet as we welcome a very special guest to our ranks, the inimitable point g. a side project of the great dj gregory, point g is an alias used by the french producer to explore a gritty, raw sound steeped in abstract vibes but with a very basic approach, which makes it all the more captivating. stripping away all the unessary baggage that comes with some todays music, point gs productions suck you into a deep, dark abyss where subtlety and simplicity reign supreme. them embody an alternative take on us deep house with gs personal touch and a sprinkling of french romance. point g unveils two tracks from years gone by that eclipse many of todays productions.
early feedback and support from maceo plex, josh wink, ben klock, laurent garnier, dj deep, maya jane coles, loco dice ...

from medellin to the uckermark and back again to question mark – here is another comeme travelogue for your badass baedeker. not long ago sano left his colombian hometown to find himself in an old palace in brandenburg, locked inside a dreamlike basement studio for two weeks with another seven from around the world. it has been there, as sano told us, that a blood pact was sealed. and now indeed it is his >chupa< (suck it!) to be the already second record (after alejandro paz - free) to emerge from that magnificent comeme conclave held at a cottage outside of berlin this summer.

two new suprawax releases by eduardo de la calle. the four tracks on offer here bear testimony to de la calles search for the perfect loop. they are hypnotic grooves, almost entirely devoid of arrangement in a classical sense. but the tracks are not static. they suck you in by means of constant modulations, build free flowing structures of their own, hints of peaks emerging at the mercy of the low frequency oscillators cleverly set phase relationships. these tracks do not need the in-your-face kick drums and squashed dynamics of the brickwall generation. by leaving space, they work on a different level than solely sound pressure emanated. the simple, repetitive structure coupled with the unhasty development find their way into the dancer’s brain. moving your mind—your ass to follow suit. all records have been pressed in a run of 400 copies and come in inside-out natural cardboard sleeves. no represses are planned at present.

two new suprawax releases by eduardo de la calle. the four tracks on offer here bear testimony to de la calles search for the perfect loop. they are hypnotic grooves, almost entirely devoid of arrangement in a classical sense. but the tracks are not static. they suck you in by means of constant modulations, build free flowing structures of their own, hints of peaks emerging at the mercy of the low frequency oscillators cleverly set phase relationships. these tracks do not need the in-your-face kick drums and squashed dynamics of the brickwall generation. by leaving space, they work on a different level than solely sound pressure emanated. the simple, repetitive structure coupled with the unhasty development find their way into the dancer’s brain. moving your mind—your ass to follow suit. all records have been pressed in a run of 400 copies and come in inside-out natural cardboard sleeves. no represses are planned at present.

mit black treacle veröffentlichen die arctic monkeys am 20. januar 2012 die mittlerweile dritte single-auskopplung aus ihrem aktuellen album suck it and see auf domino. der track auf der b-seite mit dem titel you and i wird exklusiv auf dieser 7 inch erscheinen und ist nicht auf dem album enthalten!
inklusive code für freien download der songs.

for 100% pures 74th release we welcome emmanuel.
with his coffee shop ep 100% pure gaining heavy play from the dj likes of ramon tapia, dubfire, karotte, richie hawtin, deetron, riva starr ... we are happy he is come back in full force with 2 more quality tunes:
octopus: this juicy groove is packed with big room vocals and suction cup snippets that will suck you into an ocean of clubbers with its techhouse tentacles.
bulldozer: just like the machine, this heavy power tool cuts through the crap and makes you want to dance hard and heavy. so … come on!

repress is here!

tartelet laber manager emil margetli and copenhagen dj stalwart mathias mesteno make up this newly formed duo. the two of them have been djing together for years and share a mutual interest in vintage electronic music.
enter the muff : this warm, bumping and decidedly sticky affair will suck you right in and never relinquish it vice-like grip until the very last compressed 808 clap has been shot out the love canon. its an a-side with the word builder written all over it. laced with heavy sub bass, organ licks, cooing soul vox and rides galore, this is intense, classic house that will provide the dance floor with an elegant slap upside the head.
steady muffin : on the flip, muff deep arms itself with piano licks, lush, organic percussion and all-out, good-time party vibrations. this track embraces everything that is summer from balearic atmospherics, over your favourite childhood sunset, to italo and straight-up disco.

moody melodic synth patterns, stripped back electronic percussion and haunting hypnotic vocals. may i present the latest masterpiece from reuben tobias: portraits ep. a finely balanced deep underground pop release that will no doubt hold the attention of such names as troxler and jamie jones. the structure, complex enough to hold interest but simple enough to maintain elegance, takes you on a journey through the mind of reuben tobias as you listen attentively to every word of the self expressive lyrics. the b side lead, marran, shares very much the similar characteristics as portraits. minus the lyrics, marran uses subtly layered electronic synths and the comforting sound of young children playing outside to suck you down into a place of complete concentration. your focus becomes stuck in fascination for the sounds guiding you through the duration of the track right to the last second. a brilliant ep. not one for the clubs but certainly one for the collection.

gigolo welcomes rampa & re.you aboard to the roster for the double-whammy of feet and provoking, two beastly tracks designed to suck you onto the dancefloor like a swirling maelstrom of black tar!!

fantastic four-track ep sampler on new jamie jones and lee foss imprint – hot waves! hot waves is a new label set up by jamie jones and lee foss. this 12inch vinyl sampler features some hot licks from burgeoning talents richy ahmed, jost t and alexis raphael as well as a great tune from crosstown hero maceo plex. the a side features a hot natured stalwart richy ahmed, he jacks the groove and cuts up the hip-house into a monster of a slammin groove. then london based producer alexis raphael hits the cosmic boogie bus and takes the spaceship into outer space. on the flip and josh ts >green surprises< is a heavenly slice of boogitastic r&b led basement funk .. amazing. finally maceo plex (aka maetrik) delivers a supersonic deep house monster reminiscent of larry heard.. what a fantastic ep and what a great precursor to a great compilation

the less we say the better - another essential collaboration, suck it and see ! limited 1st pressing features clear vinyl, and a poly outer sleeve to brilliantly show off the full size printed insert also included... a new take on classic uk techno here with a solid and somewhat retro sound palette. regis and james ruskin follow up their previous collaboration (bp025) in brilliant form with menacing riffs, frenzied 808 kicks and a haunting downbeat track to finish things off

one of the key artists in japan is so inagawa. his first tack of relaxine has been mixed by harley & muscle in >deep house part 1< compilation album. next up is >cabaret to cabaret ep<, tracks which new style of deep house, featuring deep and groovy sound. so inagawa info: started his career, influenced by the jesus and marychain,the smith and so on. >cabaret< released from french famous label telegraph record in 2005. this aesthetic minimal abstract track was licenced by tobi neumans mix cd, and its become a bomb. he keep releasing constantly from milnormodern, rrygular, fenou, trimsound, minimood, goosehound, unfoundsound, multivitamin by both of so inagawa and the suffragettes. better not to miss his live, dj in the clubs around.

subversion delivers 4 top speedcore tracks, ranging from 187 to 205 bpm. the printer couldnt keep up - can you?

lektroluv records is on a roll! after recent hot new signings such as mightyfools and highbloo, gtronic is the dr.s latest acquisition to his roster. with >iron man< gtronic released one of the biggest tracks of last year, supported by all the usual suspects and used by the bloody beetroots on their mix-cd. his debut for lektroluv will be the cameltoe ep, but gtronics upcoming projects also include an ep for dimmak. definitely someone to keep an eye on!

supported by: richie hawtin, dubfire, john digweed, anja schneider, electric indigo, sian, christian martin, ivan smagghe !! trapez headliner alex under releases with this 4 track ep a stunning follow up to >muscle tracks<. titled >muscle tracks ii<, this release has a lot to offer from the housy but almighty fat >firebird< to the speeding >mustang<.
>mustang< is a perfect techno track, it sums up what a whole techno night could be like. it is a fast track but also a deep cool track, when the chords join in one gets close to heaven. it is also a track that changes gear and has a nicefeeling for controlling the pace perfectly. the unbeatable cool alex under beat and 3d sound experiments that sound as if ice cubes were rotating in a tumbler make it a super track.
>charger< is a massive track! the track seems to suck up air to created a vacuum and also sounds a bit as if there was a problem with the ignition of the charger! once it gets going it is indeed a heavy rocking track!>firebird< is a fat sounding house track, which can be plaid by house djs as well as techno djs using a cool walking bassline and a super tight slapping snare and cool house vocals on top of it! starting housy the track develops into a hi energy, appegiator driven track showing alex unders talent for moving genres skilfully from one end to the other! this is a great track!

belgian producers sierra sam & marcus vector return to their house-oriented project d.i.y. (dumb irresponsible youth) for three more sly, sexy groovers, with contributions from dop, big bully and markus fix.
while sam and marcus are generally known for their more techno-focused productions, last years house tools vol. 1 was a minor hit, with tracks included in ellen alliens resident advisor podcast, jay hazes recent fabric47 mix cd, and m.a.n.d.y.s charts. since then, they ve kept busy with their own toys for boys label, meanwhile sierra sam has co-produced the debut album by bloody mary on contexterrior.
still, they ve found the time to crank out these new elegant-yet-sleazy cuts, and while vol. 1 was purely instrumental, for vol. 2 they ve roped in some guest vocalists. first up is their collab with comrades dop (circus company, eklo, supplement facts). >kilimanjaro< features d.i.y.s tribal bounce combined with dops seedy, trent reznor-on-opiates vocal delivery.
the flipside has two versions of >suck my caulk<: d.i.y.s original elevates thelevel of melody and sunshine, weaving in the voice of big bully (known forhis work on spectral, get physical and vakant). markus fix of cecille offers his own interpretation, bringing the track down into deep house territory. placed in the right hands, these tools can do some serious dancefloor damage!

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

phat rockin 3 tracker !! television rocks präsentiert zero cash s neusten release “give it to me”. nachdem zero cash sich in den letzten monaten hauptsächlich mit remixen für maral salmassi, raziek und masturbo beschäftigt hat, serviert er uns nun seine bunte mixtur von drei mitreißenden tracks. angefangen mit dem dancefloor-kracher „give it to me“ geht es auf der anderen seite mit dem extrem funkigen disco-house track „suck, push, pull“ weiter. zum schluss serviert uns zero cash noch den perfekten electro-roadmovie soundtrack mit “meatpoint”. alles in allem eine sehr gelungene mischung, die jeden club zum kochen bringt.

2003 electro release by michael forshaw!

dj savage + kinetik records = massive greek techno tracks!

speedcore 4 tracker!! includes scratch samples...

gd luxxe from vienna remixed by patrick pulsinger, ectomorph, dmx krew and adult. real electro for real electro lovers. watch out for loops!

pport by paco osuna, danton eeprom, xpansul, joseph capriati, christian smith, someone else, technasia, luke solomon, rocha & lewinger……. luetzenkirchens label quickly became one of the hottest new imprints for cool underground clubtracks, mainly with artists from munich like his best mate gilbert martini, who also already had two tracks on #02 and #05. but on this ep its the first appearance of an artist from berlin: luetzenkirchens friend pierre deutschmann, well known for his releases on ostfunk, clubcity, audiobahn, farbenfroh and his classics on low spirit and electric kingdom and of course main man tobias luetzenkirchen with two hot new and very divers clubstompers >suck me empty< and >rolling on the six<

incl interpretations by ectomorph, patrick pulsinger, dmx krew and adult !! ltd repress

slamming phunkin french electro house, made for bigger rooms

the producer behind uffie comes back with a vengance, under his own moniker

massive industrial 4 tracker produced by tieum and scratch!! altern hate quality stuff!

excellent 4 tracker by label head honcho joey youngman himself. double stacked and suck that binky kick asses in fine cut up, filter and sample madness style. while murda on the mountaintop and truth & lies go the more deeper way of house music. quality stuff again from the fetish camp

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

public service message: from the pale horizon of the calm world, here emerges critical tension. product of his society, henry the white collar goes through a crisis. today henry is nervous, negotiating the heave and shove between fear and his uncontrolable urges, and this is his music when he does. we, the producers, are his fantasy. does it hurt or is it good? can you make him relieve his debt? after two releases on sound of barclay, and a hit (sink) on yvan smagghes compilation (suck my deck) released on react, and the famous cover of lios amoureux solitaires featuring jennifer cardini on kill the dj, henry is back with a dodgy 10 inch no punk, no electro - this is wobble

gabriel ananda schaltet auf snipermodus, seziert haarfein & moduliert bis die beats eine physikalische größe erreichen. >das habe ich doch nicht gewollt !< war das letzte was man ihn sagen hörte..

only unreleased new tracks from dj deeon and slugo....though he s revered among chicago djs and around the world as the original master of ghetto dance music, deeon started small, on chicagos south side. he sold his dj mixtapes in the parking lot where he lived, and played house parties in the projects. these crowded living room parties started the feeling and inspiration for the sound deeon produced, music he simply refers to as, >for the strippers, for the street<. while tracks like >accelerate< on dance mania were doing well overseas, he was getting little support or play from local chicago clubs. deeon calls ghetto house the >stepchild of chicago house<. eventually the incredible response from his music forced the clubs to concede and play his records. these >techno with a ghetto edge< tracks have found way to the decks in clubs around the world. deeon found his home on chicagos own dance mania label, where he released hits like >let me bang<, >who you wit<, >da dick suck< and >the freaks<. deeon is currently signed to databass records, which is rereleasing most of his back catalog with new remixes!

more furious boty action with rave and electro influences. limited no. locked grooves included.

four nice rockin electro house burner by the muttonheads !!

raphaël ripperton from lausanne started his dj career in 1997. among other clubs, he started spinning at the famous loft club/ lausanne in 2001. in 2003 he produced the winning album of the diesel u music award with >sounds natural< by reasons. in 2005 ripperton was one of the winning remixers for laurent garnier s >controlling the house< remix contest. furthermore he released a record with his project rayon on crosstown rebels, which was used by damian lazarus for his compilation >suck my deck< and by carl craig on the fabric mix 25. today, apart from his rayon project, he is working on a project called lazy fat people, together with mirko loko, which will be released on james holden s famous border community label, beginning of 2006

blowfly killers is one of those freaks tracks that suck you in and ruin your head. very haunting and errie and has still this small and smart element of funk running underneath taht we know and love them fore. little beasties s (odori, mff) remix it is a minimal jack affair supreme. bumpty, dry and full of vibrating groove to the edge! played by ivan smagghe

underground darling mathew jonson with another extra-large three track stunner: right from the start swirling synth over a pinching beat suck you into a vortex before a rubbery bassline takes the lead and an electrical storm of dark, haunting sounds wrap you in. well, words dont do this truly symphonic oeuvre no justice - this has to be experienced in the dark and in earsplitting volume. on the flip mj gives free reign to his unlimited creativity with an impressive soundtrack-style tableau of electronic jazz, sounding like late bass-revolutionary jaco pastorius descending form the outerworld to interveave some of his crazy warbled, bend notes into a messianic david axelrod arrangement, mixed at lee scratch perrys echo chamber. miles above your typical pain-by-numbers club fare - simply huge!

stompin tech !!

phat darker tech styled progressive house banger

excellent selected tracks , comes as a limited 4 vinyl set edition !! … very rare

limited ! eigentlich nur für japan !! (teaser 1):bangkok impakt - aus brigittes tagebuch,orgue electrinique - suck seed,legowelt - into the storm, schmerzlabor - off the road with jack kerouac, (teaser 2):legowelt - gia flies to scape, mr clavio - vinex deathwish ,kassen - walking, breathing (teaser 3):bangkog impact - daily 4 minutes,orgue electronique -behind the sun

2 massive killer tracks to rock the floors worldwide. atrack >what happened ?< and b-track >go on da knees & suck me denise<, shows that michael and lars are ready to rock and straps a filthy, driving bassline to the kind of tuff beats expected from the two germans

zum finale der legendŠren, seit 19 jahren laufenden fabric cd-reihe erscheint mit -fabric 100 nun eine triple-cd der drei resident-djs craig richards, terry francis und keith reilly, die - jeder in seinem individuellen style. wŠhrend craig richards mit einer electro-infusion beginnt, nimmt sich terry francis frŸh-1990er einflŸsse an, bevor keith reilly das triple mit einem soulful, vocal-inspirierten house-mix abschlie§t.

fee fire ist der neue film von ben wheatley (high rise, sightseers,kill list, down terrrace) mit brie larson und cillian murphy in den hauptrollen und martin scorsese als ausfŸhrendem produzenten. der titel bezieht sich auf den epischen shoot-out in diesem coolen 70er jahre gangster-movie. der score stammt von geoff barrow (portishead, beak) und ben salisbury. das album enthŠlt zudem dialoge aus dem film und lizensierte stŸcke von kŸnstlern wie the real kids, creedence clearwater revival und john denver. cd wie doppel-lp enthalten eine zusŠtzliche download card, die nicht nur die stŸcke des albums sondern auch zusŠtzliches material enthalten. die doppel-lp (140g) erscheint in einem gatefold-sleeve, das vinyl ist silberfarben

the hard way are a full live band these days and we wrote the album with that being our main focus. an album to rock out live with but also divers enough to just listen to from a to z..

the new album!